Queens

A small tribute to two timeless myths, in the heart of all the movie lovers.
More than 100 years ago was born Greta Garbo.
"The Garbo is a prominent white spectrum, remote and immortal as a statue of Pallas Athena. It is expected that most will not die" says the biography dedicatale application by Richard Corliss in 1974.
Since its first appearance "Variety" said. "This girl has everything, beauty talented personality."
Soon the name Garbo echoes in the songs, writers, painters inspired poets, the style "garbesco" deeply renews the look feminine, is synonymous with beauty charm elusiveness. All in dell'iperbole sign, which is a sign of Hollywood, in whose golden age was the undisputed Divine.
In all the films (from best to worst), his acting is intense, a surprisingly modern, almost inspired.
The essence of Garbo (magnetic solitary inaccessible) is there on the screen, an image film par excellence, that history recognizes as perhaps the first real singer of that which is the new cinema.
More than 90 years ago was born Ingrid Bergman. Among the best actresses of all time.
It is a legend of cinema, but has never been a vamp (although in the history of celluloid for the longest kiss in screen "Notorius" film shot in 1946 by the magician who was Alfred Hitchcock).
E 'stata una donna sentimentally restless, unconventional for the times they ran. A star always ready to accept challenges, to break schedules and clichés. Despite being beautiful, it had something more: a talent out of the ordinary and the desire to get involved beyond the various clichés.
The Hollywood star system would make it a symbol of a sound morality, a woman without problems, most loving mother. But Ingrid rebelled both professionally - in 1941 interpreted the character of the prostitute in "Dr Jekill and Mr. Hide" - which in private life, when in 1949 fell in love with Roberto Rossellini and left him for her husband Petter Lindstrom and daughter Pia (America and the Hollywood decreed ostracism for 7 years did not work in U.S. productions).